AI Prompt Library

A hyper-realistic, wide-angle aerial shot of a giant {argument name="celebrity name" default="Salman Khan"} sitting casually on the suspension cables of a large bridge over a European city (like Copenhagen or Amsterdam). He is wearing a grey hoodie and dark cargo pants. His giant bare feet are dipping into the river below, creating massive white water splashes. The city below features historic red-roofed buildings, canals, and small boats. High-detail cinematic lighting, surreal scale, 8k resolution.

Modify the picture so that this girl is taking an exam at a magic school.

Generate an image that clearly summarizes the following {argument name="news_source_en" default="Yahoo News"} article in a single slide, using diagrams and illustrations. --- {argument name="news_body_en" default="{paste the Yahoo News article here}"}

Live-Action Anime Adaptation · Breathing Technique Decisive Battle (15 seconds · Super Burning Special Effects Version) 【Core Focus】: Water Breathing (Blue Water Dragon) VS Thunder Breathing (Golden Lightning), live-action extreme speed duel. 【Style】: Hollywood live-action anime adaptation film quality, dark samurai style, 4K ultra-clear, extreme fast cuts, explosive particle light effects, no gore. 【Duration】: 15 seconds 【Scene】: Misty forest under the moonlight, muddy ground, falling leaves. [00:00-00:05] Shot 1: Water Melody Prelude · Starting Stance (Sense of charging) Visuals: A young samurai wearing a green and black checkered haori (jacket), lowering his center of gravity under the moonlight, gripping his sword with both hands. Action: He takes a deep breath, and the surrounding air instantly solidifies. As he draws his sword, a giant blue water dragon, condensed from high-pressure water flow, appears out of thin air, rotating rapidly around his body and blade, emitting the roar of flowing water. Special Effects Details: The water flow has a realistic sense of splashing, illuminating the dark forest. [00:05-00:10] Shot 2: Thunder Flash · Charge (Sense of extreme speed) Visuals: The opponent, a blonde swordsman wearing a yellow triangular patterned haori, is crouched extremely low, adopting the posture of Iaijutsu (sword drawing technique). Action: The ground suddenly explodes, and he instantly transforms into a dazzling golden lightning afterimage, refracting and charging through the forest in a "Z" shape at a speed undetectable by the naked eye. Special Effects Details: Golden electric arcs and scorched fallen leaves remain in the places he passes. [00:10-00:15] Shot 3: Water and Thunder Collision · Final Sound (Ultimate move clash) Visuals: Extreme speed collision. The young samurai swings the giant blue water dragon down to meet the attack, and the blonde swordsman, transformed into lightning, crashes into him head-on. Action: The two swords violently collide in the center of the frame. Special Effects Spectacle: The blue water dragon and the golden lightning instantly explode, forming a massive water-thunder energy storm that spreads outwards. The surrounding large trees are snapped in half by the energy wave, and mud and light obscure the camera. The scene ends in an extremely dazzling blue, yellow, and white light.

{ "task": "image-to-image restoration", "input_image": "output_from_prompt_1", "reference_image": { "type": "face_reference", "description": "Same face as damaged photo, identity must remain unchanged" }, "restoration_settings": { "restore_face": true, "restore_skin_texture": true, "remove_damage": true, "preserve_expression": true, "preserve_pose": true }, "image_settings": { "aspect_ratio": "2:3 portrait", "resolution": "8K ultra-HD", "color_mode": "natural warm color", "clarity": "high-end modern portrait" }, "subject": { "pose": "unchanged from damaged photo", "expression": "same gentle smile", "details": "natural skin texture, realistic eyes, clean hair detail" }, "lighting": { "type": "soft cinematic studio lighting", "quality": "even, flattering, modern" }, "background": { "style": "clean neutral studio backdrop", "look": "soft bokeh, no texture damage" }, "quality_targets": [ "no scratches", "no folds", "no stains", "no blur", "no aging artifacts" ], "realism": "photorealistic modern portrait photography", "negative_prompt": [ "face alteration", "identity change", "over-smoothing", "plastic skin", "artistic illustration look" ] }

I need a flowchart for how to toast bread; make it as wacky, over the top, and complicated as possible.

{ "prompt": "A surreal, artistic portrait of a woman dancing gracefully in front of a dark black background, with large red flower petals projected across her body and surrounding space. A luminous red flower blooms behind and partially overlaps her silhouette, blending seamlessly with her movement. Her eyes are closed, expression calm and introspective, arms raised above her head in a fluid, dance-like pose. She wears a semi-transparent, modern top that allows the red floral projections to interact with her form. The lighting is dramatic and soft, with high contrast between the deep black background and the vivid red flower tones. The composition feels like fine art photography mixed with contemporary dance and projection mapping. Dreamlike, emotional, and poetic atmosphere. Ultra-detailed textures, soft shadows, smooth motion blur, gallery-style surrealism.", "negative_prompt": "low resolution, harsh lighting, flat colors, cluttered background, overexposure, plastic skin, distorted anatomy, extra limbs, cartoon style, illustration, watermark, logo, text", "style": { "aesthetic": "surreal fine art photography, projection art", "mood": "poetic, emotional, introspective", "color_palette": ["deep red", "crimson", "black", "soft skin tones"] }, "camera": { "shot_type": "full body or medium portrait", "lens": "50mm prime", "aperture": "f/2.0", "depth_of_field": "moderate", "focus": "sharp on subject, soft floral projection edges" }, "lighting": { "key_light": "soft frontal light", "projection_light": "red flower projection mapping", "contrast": "high contrast with dark background" }, "quality": { "resolution": "ultra high", "detail_level": "high", "realism": "photorealistic with surreal overlay", "render_style": "art gallery, cinematic, no HDR" } }

{ "art_medium": { "type": "Sculpture, photograph of", "style": "19th Century Neo-Classical / Romantic Sculpture", "artist_reference": "style of Antonio Canova or Auguste Rodin (softer, more emotive)", "material": "white Carrara marble with a slightly aged patina", "presentation": "photographed in a museum gallery setting" }, "subject": { "description": "A marble sculpture group depicting a mythological or allegorical embrace", "figures": { "main_figure": { "type": "A beautiful female figure, a nymph or goddess", "pose": "reclining slightly, head thrown back in a swoon, eyes closed with a look of ecstatic surrender", "clothing": "draped in very thin, flowing fabric that clings revealingly to her body contours (wet drapery technique), partially falling off her shoulder" }, "supporting_figure": { "type": "A male figure (like Cupid or a youth) or just hands", "pose": "gently holding her, one hand touching her bare arm, the other near her face", "clothing": "nude or with minimal drapery" } }, "composition": "The figures are intertwined, creating a sense of intimate connection and movement frozen in stone." }, "environment": { "setting": "A classical gallery or studio", "aesthetic_elements": [ "the sculpture rests on a large, ornate carved stone plinth", "the background is a soft-focus, textured wall with architectural moldings", "other blurred classical busts and pedestals are visible in the distance" ], "atmosphere": "quiet, reverent, sensual, artistic" }, "lighting_and_color": { "type": "Soft, diffused gallery lighting", "source": "overhead skylight or large window from the side", "effect": "highlighting the smooth, cold texture of the marble and casting soft shadows in the folds of the drapery, creating a three-dimensional effect", "palette": "monochromatic shades of white, cream, and warm greys" }, "technical_specs": { "composition": "photograph of a sculpture, eye-level view", "aspect_ratio": "3:2 horizontal", "texture": "the photograph captures the tactile surface of the stone, including slight imperfections and dust" } }

{ "subject": "Classic three-ball snowman, highly textured snow", "clothing": "{argument name="hat color" default="Blue"} bucket hat (nylon texture), blue scarf (terry cloth texture)", "face": "Dark round stone eyes, orange carrot nose", "accessories": "Matching blue hat and scarf set", "environment": "Dark starry night sky, icy ground, high contrast", "lighting": "Dramatic cinematic spotlight, cool tones, accentuating textures", "camera": "Full shot, slightly low angle, sharp focus", "style": "3D render style, studio photography, minimalist, whimsical, photorealistic, 8k resolution" }

Create a 30-second, 1080p ultra-realistic cinematic action video featuring Elsa. Use the provided Elsa Master Character Set only as the strict identity reference for Elsa. Use the provided 20-panel Master Storyboard as the exact visual and chronological guide for the entire video. Do not copy any identity from the storyboard. The storyboard controls the action, shot progression, locations, framing and choreography, while the Master Character Set controls Elsa's face and physical identity. CHARACTER CONSISTENCY: Preserve Elsa's exact facial identity, facial proportions, hairstyle, skin tone, body proportions and recognizable appearance throughout the entire video. Keep her outfit consistent: black cropped top, fitted black pants, black leather jacket, black boots and a black shoulder bag. The same Elsa must appear in every shot. STYLE: Ultra-realistic live-action cinematic action sequence set inside a modern underground subway corridor. The environment should feel real and lived-in: tiled walls, fluorescent ceiling lights, concrete floors, distant commuters, signage, subway entrances and realistic urban details. Use cinematic handheld camera work combined with controlled action cinematography. Natural motion blur, realistic lighting, realistic shadows, physically accurate movement and believable human reactions. No fantasy powers, no supernatural effects, no exaggerated wire-fu and no impossible movements. ACTION: Keep the confrontation clearly fictional and choreographed for cinematic storytelling. Avoid graphic injury, blood or gore. SHOT 1 — 00:00–00:01 Elsa walks alone through the subway corridor carrying her shoulder bag. Use a medium-wide tracking shot from the front as commuters move naturally in the background. SHOT 2 — 00:01–00:02 Cut to a closer side angle as Elsa senses movement behind her. She slightly turns her head and looks over her shoulder. Her expression becomes alert but controlled. SHOT 3 — 00:02–00:03 Reveal several suspicious figures approaching from behind. Use a longer lens perspective that compresses the corridor and creates tension. SHOT 4 — 00:03–00:04 Close-up on Elsa's face. She notices the situation and remains calm and focused. Use shallow depth of field with the subway corridor softly blurred behind her. SHOT 5 — 00:04–00:05 Elsa turns into a narrower side passage. The camera follows quickly behind her as the atmosphere becomes more confined. SHOT 6 — 00:05–00:06 The figures block Elsa's path. Use a frontal medium shot showing Elsa surrounded by the group while maintaining clear spatial geography. SHOT 7 — 00:06–00:08 One attacker reaches toward Elsa's arm. Elsa reacts immediately, pulling her arm away and creating distance. Use a dynamic side angle with realistic body mechanics. SHOT 8 — 00:08–00:09 Elsa performs a quick defensive movement to escape the grab. Keep the choreography controlled and realistic. The camera moves with the action rather than using exaggerated effects. SHOT 9 — 00:09–00:11 A second attacker moves toward her. Elsa pivots out of the way and uses a controlled defensive counter, causing the attacker to lose balance and fall safely. Use a wider shot so the complete movement is readable. SHOT 10 — 00:11–00:12 Elsa creates space between herself and the attackers. Her shoulder bag swings naturally with the movement. Use a fast handheld camera adjustment. SHOT 11 — 00:12–00:14 An attacker moves toward Elsa again. Elsa uses the shoulder bag defensively to create distance and escape the immediate threat. Do not depict graphic impact. SHOT 12 — 00:14–00:15 Elsa performs a fast controlled kick that stops the attacker's advance. Use a low three-quarter angle emphasizing the movement while keeping realistic proportions. SHOT 13 — 00:15–00:17 Another attacker approaches. Elsa quickly changes direction, evades the incoming movement and performs a controlled defensive strike. Use a dynamic tracking camera. SHOT 14 — 00:17–00:18 Close action beat as Elsa completes the defensive sequence and creates separation. Keep the movement realistic and clearly choreographed. SHOT 15 — 00:18–00:20 Wide shot of the corridor. The attackers are now on the ground or backing away while Elsa remains standing and composed. No blood, wounds or graphic injury. SHOT 16 — 00:20–00:22 The tension disappears. Elsa calmly fixes her hair and adjusts her jacket. Use a close-up that contrasts her calm expression with the action that just occurred. SHOT 17 — 00:22–00:24 Elsa picks up and adjusts her shoulder bag. Use a medium close-up with natural handheld movement. SHOT 18 — 00:24–00:27 Elsa walks confidently down the subway corridor. The camera tracks backward in front of her. Commuters naturally move through the background. SHOT 19 — 00:27–00:29 Elsa approaches the subway exit stairs. Use a rear tracking shot as she walks toward the brighter exit. The lighting gradually becomes warmer and brighter. SHOT 20 — 00:29–00:30 Before leaving, Elsa briefly turns her head and looks back toward the camera with a calm, confident expression. Hold for a short cinematic beat. Cut to black. CAMERA LANGUAGE: Use a mixture of wide establishing shots, handheld tracking shots, close facial shots, side angles, low three-quarter angles and dynamic action framing. Every camera movement should be motivated by the action. Use short speed ramps only where they naturally emphasize an important movement. Do not overuse slow motion. Maintain clear spatial continuity so the viewer always understands where Elsa and the other characters are positioned. PHYSICS & CONTINUITY: Realistic human anatomy and movement. Realistic weight transfer. Natural hair and clothing movement. Natural shoulder-bag physics. Realistic footsteps and body momentum. No teleportation. No duplicated characters. No disappearing props. No impossible body deformation. AUDIO: Authentic subway ambience throughout. Footsteps, distant train sounds, station announcements, ventilation, commuters talking, clothing movement, bag movement and subtle action impacts. Music should be minimal and cinematic, building tension during the confrontation and becoming quieter as Elsa walks toward the exit. No dialogue. No subtitles. No text overlays. No logos. No watermark. FINAL LOOK: Premium ultra-realistic live-action action cinema with believable choreography, strong visual continuity and a grounded urban atmosphere. The sequence should feel tense, stylish and cinematic while remaining physically realistic and non-graphic.

Mozart Don Giovanni {argument name="scene" default="The Last Supper"}

Keep the character unchanged. Stylize the environment.

Convert this image into full high quality 3D animated style

Create an ultra-realistic, cinematic 8K image with high-contrast dramatic lighting and a photo-real digital painting aesthetic-use face reference exactly. The man is shown in a full-body side profile facing right, his face and hairstyle copied perfectly with no alterations He wears modern casual streetwear; a light grey crewneck t-shirt, light neutral cargo pants, light-colored high-top boots, and a watch on his left wrist. His posture is slightly slumped, head bowed, eyes looking downward, hands relaxed at his sides, conveying deep introspection and sorrow. Nearly half of his body is dissolving into extremely thick, cloud-like grey smoke filled with glowing yellow dust particles. His left arm, shoulder, torso, legs, and part of his hair become transparent as they break into luminous particles, suggesting active disintegration Behind and partially surrounding him is a massive glowing crescent (C-shaped) energy aura, emitting fiery golden-white plasma light. This aura acts as a powerful rim and backlight, highlighting the smoke, dust, and silhouette. The setting is minimal and stark: a concrete or desolate paved surface meeting a heavily overcast sky. The color palette is nearly monochrome greys and whites, contrasted by intense amber-gold glow, Shallow depth of field, glow/bloom lighting, particle dispersion, cinematic composition, emotional and dramatic atmosphere.

{ "subject_identification": { "species": "Bald Eagle (Haliaeetus leucocephalus)", "type": "Bird of Prey / Raptor", "pose": "Perched upright, facing forward with head turned slightly left" }, "visual_attributes": { "plumage": { "head": "Distinctive bright white", "body": "Dark brown/black feathers", "tail": "White feathers visible at the bottom" }, "beak": "Large, hooked, yellow", "eyes": "Piercing, pale yellow iris", "talons": "Bright yellow feet with sharp black claws gripping the branch" }, "setting_and_environment": { "location": "Forest canopy", "perch": "Thick, dark, moss-covered tree branch", "vegetation": "Pine needles visible in the top corners and bottom right", "weather_conditions": "Overcast, likely damp or rainy (visible water droplets on upper branches)" }, "composition_and_lighting": { "framing": "Natural framing by overhanging pine branches", "depth_of_field": "Shallow; sharp focus on the eagle with a heavily blurred background (bokeh)", "color_palette": [ "Deep Forest Green", "Charcoal Grey", "Stark White", "Golden Yellow", "Dark Brown" ], "lighting": "Soft, diffuse, moody natural light" }, "mood": "Majestic, Stoic, Solitary, Serene" }

A black and white line drawing of a {argument name="subject" default="squirrel"} is depicted in profile, facing left. The {argument name="subject" default="squirrel"} is decorated with various patterns and designs, resembling a {argument name="art style" default="zentangle or adult coloring page"}. Its body is filled with floral motifs, scales, swirls, and geometric shapes. Its tail is large and curled, also adorned with patterns. The background is white, emphasizing the detailed linework of the {argument name="subject" default="squirrel"}.

Create a photo-style line drawing / ink sketch of the person identical to the uploaded image — keep every facial feature, proportion, and expression exactly the same. Use blue and white ink tones with intricate, fine line detailing, drawn on a notebook-page style background. Show a right hand holding a pen and an eraser near the sketch, as if the artist is still working.

From a Buddhist perspective, create a diagram showing the process by which a beautiful woman is deconstructed from beauty into emptiness. Starting from attachment to form (material appearance and beauty), show through successive stages of analysis and contemplation with wisdom, eventually realizing the practice path that leads to understanding that all phenomena are empty and return to the silent ultimate truth.

Upscale the character in the first image to the high resolution of the second image, and zoom in close enough to clearly show the skin texture. First image: Original image Second image: Skin image Third image: Nano Banana Pro Fourth image: Seedream 4.5

The most weird, mundane photo you can imagine.

A prompt that makes characters stylish

"green forest floor, ferns, dew, foggy, day, a large yellow feathered dragon, a woman in high fashion yellow armor"

{ "type": "image_generation", "style": "cinematic semi-realistic 3D", "prompt": "Inside a small diner, a young female waitress with short brown hair is pouring black coffee from a glass coffee pot into a white mug held by a male customer. The waitress looks sad and emotional, with tears visible on her cheeks and a tired expression. She is wearing a fitted white long-sleeve top and a beige apron. The male customer is standing in front of her, wearing a dark blue suit, shown from a side angle. Other customers are seated in booths in the background. The diner has fluorescent ceiling lights, simple wooden booths, and a calm everyday atmosphere.", "camera": { "shot_type": "medium shot", "angle": "eye level", "focus": "waitress pouring coffee" }, "lighting": "bright indoor fluorescent lighting", "environment": "small diner interior with seated customers", "mood": "quiet, emotional, realistic", "aspect_ratio": "9:16" "quality": "high detail, sharp focus", "negative_prompt": "extra characters, dramatic action, exaggerated emotions, fantasy elements, blur, low quality, text, watermark" }

A half-finished marble sculpture in a dusty Renaissance workshop, with the [{argument name="subject" default="SUBJECT"}] emerging from the raw stone block in a breathtaking moment of creation becoming conscious. The figure is rough chisel marks at the base, transitioning through refined carving into impossibly lifelike flesh at the extremities. [{argument name="key features" default="KEY FEATURES"}] have achieved full life while the torso remains trapped in stone, mid-escape. Marble dust swirls in shaft lighting as if the awakening itself is generating atmosphere. The [{argument name="subject" default="SUBJECT"}] reaches forward, fingers transitioning from carved to living. Sculptor's tools scattered on wooden platforms: chisels, mallets, calipers, clay maquettes. Unfinished companion pieces watch from the shadows. The Pygmalion moment frozen. Cathedral-height workshop windows casting dramatic god-rays, cool marble tones warming to flesh, 8K, Bernini meets cinema.