AI Prompt Library

First person view of cybertruck driving in Tennessee in a city. Future variants of cybertruck

Cinematic realistic texture, modern Chinese workplace drama. Centered on sharp but restrained social observation, colloquial language easily understood by ordinary people, senior screenwriter-style dialogue close to daily communication habits, and subtle, authentic character performances. Adopt: Arri Alexa film camera texture Stable and clear facial micro-details Slight film grain Realistic lighting formed by mixing office ceiling lights and natural light from outside the window Core Theme Directly recreate the core situation of the current meme "Take 3 days off, rest for 13" without any ancient style translation. What needs to be performed is not "teaching everyone how to combine holidays," nor the cliché "bad boss refuses leave - employee boldly slaps back." Dig one layer deeper into reality: Many people are clearly using their own vacation time, yet they have already developed a habit of proving themselves before speaking up: "I'm not lazy" Won't drag others down Work is arranged I am still responsible enough Even feeling guilty proactively at the end. The real twist isn't the senior sister winning an argument for the junior sister, but suddenly turning this matter, which everyone has made so serious, back into a normal small thing: Handover done, go rest. Character & Environment Anchors Strictly use @Image 1 and @Image 2 as facial identity anchors for the characters, while naturally adjusting clothing according to the modern workplace plot. All uploaded background and location references should first be silently reorganized into a unified credible modern space, including: Real architectural scale Office desks and chairs Glass reflections Walking colleagues Computer screens Elevator dynamics Main light direction from outside the window Air depth Environment remains vivid but must never actively create plot. Role Settings Role ID A | Project Lead Always the same woman from @Image 1: 27–32 year old East Asian female Oval fair face Dark almond eyes Black long hair half-up Tall and slender figure Identity in this scene: Steady project lead Modern clothing Ivory white shirt Dark grey slim trousers Black leather shoes Simple silver wristwatch Role ID B | Junior Employee Always the same woman from @Image 2: 22–26 year old East Asian female Round lively face Black braided hair Petite figure Identity in this scene: Junior employee Modern clothing Green knit top Loose dark trousers White sneakers Always holding the same filled leave application form. Minor Roles One department manager Two colleagues Exist only as minor witnesses. Segment Structure 0–5s | Wide shot gradually pushing in slightly Manager looks at the leave form, says half-jokingly and half-pressure: "Three days off? Rest thirteen? You really dare." Junior sister character immediately starts explaining: "I still have three days annual leave..." Manager continues: "If everyone takes leave like you, who does the work?" At this moment, the confidence the junior sister had prepared visibly collapses. Do not show anger, only present that hesitation familiar to many ordinary office workers: "Suddenly feeling like I did something wrong" 5–10s | Medium two-shot relationship lens + extremely short reaction close-ups Maintain: Same characters Same clothing Same leave form Completely consistent spatial relationships Junior sister slowly reaches out to take back the leave form, whispers: "Maybe... I won't ask for it." The senior sister character, who hasn't spoken all along, finally opens her mouth: "Wait." She doesn't argue with the manager first, but directly asks the junior sister: "Is the handover done?" Junior sister: "Done." Senior sister: "Did you leave emergency contacts?" Junior sister: "Yes." Senior sister takes the leave form, signs it very naturally, hands it back to her, and says only: "Then go rest." The entire action must be calm to the point of being ordinary. Let the audience feel the first contrast: Everyone else made this matter so serious, but she just treats it as a normal workflow. 10–15s | Close-up entering extreme close-up Manager finally frowns: "You approved it just like that?" Senior sister looks at him: "Otherwise what?" Complete pause for half a beat. Junior sister holds the leave form, still retaining some guilt, lowers voice and asks: "Will it look like I'm irresponsible?" Senior sister truly looks at her this time: "Responsibility means handing things over clearly." Pause for half a beat. No chicken soup, no slogans, use the most ordinary human words to land the final sentence: "Not taking a vacation, and feeling like you owe someone." Junior sister finally exhales the breath she held, puts the leave form in her bag. Manager is not forcibly slapped or suddenly admits fault, just momentarily speechless. Shallow depth of field background: One colleague silently closes the work group chat on phone Another colleague suppresses a light knowing smile Finally: No cheering No applause No victory music Junior sister walks to the elevator herself. Senior sister has naturally turned back to continue working. The whole event ultimately becomes something that was supposed to be very ordinary. Performance Principles Character performances must be realistic and restrained. Junior Sister Focus on expressing: Fully prepared at start Confidence crushed by one sentence from manager Instinctive guilt arises Wants to withdraw her normal need proactively Finally truly relaxes No anger, no crying, no short-drama style eye-bulging. Senior Sister Focus on expressing: Observing throughout first half Doesn't rush to fight for junior sister First confirms workflow Naturally signs after confirming handover complete Entire attitude like handling ordinary work No domineering CEO vibe, no "punishing evil" performance, no victory expression. Manager Maintain real workplace person state: Half joking Half pressuring Accustomed to this workplace habit Ultimately doesn't suddenly admit fault or get humiliated Hard Requirements Strict total duration 15 seconds 16:9 Landscape Strictly three continuous clear shots Native synchronized Mandarin dialogue Dialogue must sound like real Chinese people speaking daily Precise lip sync Precise gaze relationships Character faces stable throughout Hairstyle stable throughout Modern clothing stable throughout Leave form stable throughout Office layout stable throughout Spatial positions stable throughout Micro-performance realistic and restrained No subtitles generated No short-drama exaggerated eye-bulging No domineering CEO performance No forced satisfying slap-back Physics & Sound Requirements Paper, fabric, footsteps, elevator, and office environment physics effects natural. Key synchronization: Mandarin dialogue Leave form paper sound Fabric friction sound Footsteps Elevator announcement sound Office ambient noise Seedance 2.0 Mini Execution Focus For Seedance 2.0 Mini, focus on strengthening: Character reference consistency Multi-person visual hierarchy Few but meaningful action nodes Camera continuity Light and shadow continuity Leave form prop continuity Dialogue and lip sync Paper sound synced with action Footstep sync Elevator announcement sync Office ambient noise naturally continuous Negative blurry, bad quality, low quality, low resolution, noisy, jpeg artifacts, watermark, text, error; deformed, mutated, bad anatomy, poorly drawn hands, bad composition, out of frame, disfigured; inconsistent character, changing clothes, face morphing, background shift, glitching cuts, disappearing props

Use the character sheet as the visual reference. Preserve the bride’s exact face, hairstyle, dress, body proportions, and accessories throughout the entire video. 16:9 landscape. 0–3 sec — THE ESCAPE A church wedding is happening when the bride suddenly bursts through the giant church doors and sprints down the steps, still holding her bouquet. Her expression is determined but hilariously excited. Her veil and dress fly wildly behind her. Camera rapidly tracks backward in front of her as she runs. A few confused wedding guests appear in the background, realizing what is happening. 3–5 sec — GET TO THE CAR She spots a bright red 1950s vintage car waiting at the curb. She kicks off one white bridal heel while running, then throws herself toward the driver's door. Fast whip-pan follows her movement. 5–8 sec — PEEL OUT She jumps into the car, slams the door, starts the engine and PEELS AWAY at ridiculous speed. Tires squeal, a tiny cloud of smoke appears, and her long white veil gets caught in the closing door and streams dramatically behind the car. The bouquet lands on the passenger seat. 8–11 sec — CHAOS Rapid comedic interior cuts: Bride gripping the steering wheel and laughing → her veil whipping around her face → bouquet bouncing around the passenger seat → her other bridal heel flying through the air → wedding guests running helplessly behind the disappearing car. 11–15 sec — SHE’S FREE Dynamic side tracking shot of the red car racing down a sunny vintage highway. The bride drives one-handed, completely carefree. She looks into the rearview mirror, sees the church disappearing in the distance, grins, then blows a huge pink bubblegum bubble. Final frame: The red car speeds toward the horizon, veil flying behind it. Style: fast-paced physical comedy, playful rebellious energy, 1950s Americana, saturated red vintage car, creamy white wedding dress, warm golden sunlight, cinematic vintage film grain, slightly painterly realism, realistic motion, energetic camera movement, whip pans, quick cuts, exaggerated but believable comedy. Important: No slow motion, no sad mood, no dramatic romance, no dialogue, no text, no extra brides, no face changes, no outfit changes, no distorted hands, no morphing.

16:9 horizontal screen, street rap MV style, neon purple and blue cool tones, explosive cool and fierce atmosphere. 0-3 seconds: Medium shot push-in, city street night scene with flashing neon lights, an 80-year-old silver-haired woman stands in front of a graffiti wall, short silver-white hair styled in a neat slick-back, distinct square face contour, sword-like eyebrows slanting towards the temples, eyes sharp like electricity, wrinkles at the corners of her eyes like badges of time, a confident smile on the corner of her mouth, wearing a black leather jacket over a white printed T-shirt (large black letters "YOLO" on the chest) + black cargo pants + white high-top sneakers, a thick gold chain necklace around her neck, silver bracelet on her wrist, holding up a microphone with both hands, strong drum beats of the BGM start, the old woman's eyes sharpen, and her lips open to start Rap. 3-7 seconds: Medium shot + close-up switch, the old woman starts rapping, with an extremely strong sense of rhythm, her silver hair flying with her head-nodding movements, one hand holding the microphone, the other hand making gestures to match the rhythm—index finger pointing at the camera, palm cutting the rhythm up and down, making hip-hop gestures, movements are smooth and flowing, eyes sharp and looking directly at the camera, wrinkles vividly jumping with her expression, lips opening and closing rapidly to spit out lyrics: [Rap Lyrics] "Eighty-year-old legs, can jump better than you! Silver hair flowing, this is my pride! Don't call me old, my Flow is better than yours, when you were playing rap, I was listening to disco!" (Fast speed, strong rhythm, fierce attitude) Quick cuts: facial close-ups, hand movements, full-body swaying, side silhouettes, synchronized with the BGM beat. 7-11 seconds: Dance segment, the camera pulls back to show the full body, the old woman starts dancing—first the classic hip-hop bounce, then a neat street dance freeze, followed by a body wave transmitting from the shoulders to the toes, and then a quick footwork workout, movements are clean and sharp, silver hair flies under the neon lights, the leather jacket flutters in the air, she continues to Rap while dancing: [Rap Lyrics] "Legs and feet are nimble, speed is not slow, my lyrics are carved in time! You play with phones, I play with beats, eighty years of life, written into this verse!" (Faster rhythm, stronger tone) Low-angle upward shot + 360-degree surrounding shot, capturing the old woman's cool and fierce dance moves. 11-15 seconds: Climax ending, the old woman makes a cool turn, her silver hair arcs in the air, she faces the camera and makes a "shush" gesture with her finger, then her lips move closer to the microphone, singing the last line in a low, magnetic voice: [Reality Lyrics] "Time never defeats a beauty, I just changed the way I experience youth..." (Slow rhythm, deep emotion, lingering finish) The camera slowly pushes in for a close-up of the old woman's eyes, the wrinkles at the corners of her eyes are all stories, her gaze is still sharp yet with a hint of kindness, the BGM abruptly stops at the climax, the frame freezes on the old woman's cool yet slightly gentle smile, vignetting + neon purple light halo.

A space crew continues their adventures in simulation holodeck they walk through a black-and-gold grid room and the floor beneath them warps step by step into a dusty Old West street — cool digital light melting into warm sunbaked wood and sandstone. grid room to old west, walking transformation, glowing circuitry lettering, saloon reveal, digital-to-analog shift, cinematic sci-fi western

Cinematic photorealistic texture, pure ancient Chinese Xianxia aesthetics. Core: Mature identity conflict, restrained wuxia character performance, veteran-screenwriter dialogue relying on subtext and positioning for twists. Adopt: Arri Alexa cinema camera texture Natural volumetric light Fine film grain Core Twist Break from previously used structures: Defiance Scapegoating Surrender Rescue Loyalty test Place conflict directly on 'Succession' itself. Everyone believes: Greatest recognition for Junior Sister is letting her take Senior Sister's sword, title, and position. True twist is— Because Senior Sister truly recognizes her, she refuses to let Junior Sister's life become merely: "Second version of me." References & Environment Use @Image 1 and @Image 2 strictly as character identity anchors. All uploaded background/location references determine same environmental DNA. Before formal composition, silently reassemble compatible: Real terrain Architectural language Material age Vegetation Water bodies Weather Mountain mist Reflections Main light direction Air depth Form brand new unified location. Background Principle Background persists vividly but narratively neutral. Character Settings Character ID A | Senior Sister (Sword Immortal) Always same @Image 1 Senior Sister: 25–30 year old East Asian female Oval fair face Dark almond eyes Black long hair half-up, secured with white jade hairpin Tall slender figure Wears same white embroidered silk Hanfu Translucent wide sleeves Silver waistband Jade pendant White cloth boots Holds sole silver longsword Character ID B | Junior Sister Always same @Image 2 Junior Sister: 20–25 year old East Asian female Round lively face Black braided hair Petite figure Wears same cyan-green linen Hanfu Dark belt Wooden hairpin Black cloth shoes Holds sole dark steel sword with usage wear Other Minor Characters One elderly master Two sect disciples One external envoy These exist only as minor witnesses. Segment Structure 0–5s | Wide or Long Shot Elderly master presides over formal succession ceremony. He offers ceremonial silver sword symbolizing sword chief identity with both hands, says deeply: "Take the sword. From today, you succeed her position." Junior Sister instinctively reaches out. Fingers haven't touched sword, White-robed Sword Immortal suddenly draws sword, using one extremely clean, restrained blade clash to deflect ceremonial silver sword sideways, must NOT attack anyone. She only says: "She won't take it." Junior Sister immediately turns to look at her: "Why?" 5–10s | Medium or Cowboy Shot Maintain: Same two women Same costumes Same longswords Same ceremonial sword Identical geographic space Master visibly displeased: "You don't recognize her?" Senior Sister truly looks at Junior Sister, answers: "Precisely because I do." Full pause half-beat, then drops line: "My position fits only one me." Shallow depth of field background, external envoy can't help chuckling: "Then what is she?" Senior Sister doesn't even turn to respond, keeps looking at Junior Sister: "Ask yourself." At this moment, no sentimental music forcing emotion, keep only natural spatial sound and low restrained score base. Following background elements continue natural motion, completely uninvolved in plot: Wind Water bodies Mountain mist Sleeves Hair strands Reflections Distant figures 10–15s | Close-up or Extreme Close-up Junior Sister first looks down at deflected ceremonial silver sword, then at old dark steel sword accompanying her for years. She stops asking if she can succeed, changes question, whispers: "Where do I stand?" Senior Sister doesn't decide identity for her, only answers: "Don't stand behind me." Full pause half-beat. After Junior Sister truly understands, steps out from half-step behind Senior Sister, stands shoulder-to-shoulder for first time, tilts head asks: "Here?" Senior Sister keeps looking forward, no praise, no comfort, only says three words: "Move forward." Extreme close-up follows Junior Sister's eye change: She briefly freezes, then truly steps forward full pace, stands ahead of Senior Sister for first time. Senior Sister doesn't pull her, doesn't call her back. Shallow depth of field background: Elderly master completely silent External envoy who was chuckling slowly suppresses smile Final frame clearly stops on: "Junior Sister holding her own old sword standing foremost" Deflected inheritance silver sword remains behind, no one picks it up. This means: Not Junior Sister inheriting Senior Sister's position, But Senior Sister yielding front position to her own path for first time. Dramatic Core What completes isn't "refusing succession", but: Refusing defining Junior Sister as "next Senior Sister" Refusing equating recognition with copying Letting her exist not as continuation of anyone Letting her stand in her own place for first time Performance Principles Sword Immortal Senior Sister Cannot be sentimental Cannot preach Cannot seem sacrificial fulfillment Attitude must be stable, restrained, firm Not denying Junior Sister, but refusing Junior Sister swallowed by her title Junior Sister First half must be natural state of "reaching for position per everyone's expectation" Middle part doesn't understand, but begins wavering Later part truly understands "don't stand behind me" Emotion cannot explode outward Growth must mainly happen via eye-line and positioning changes Elderly Master Initially represents system and traditional order Final silence itself is attitude change No need to admit mistake or explain External Envoy Initially slight bystander disdain Finally suppresses smile, indicating realization this isn't simple refusal but higher-level recognition Hard Requirements Strict total duration 15 seconds 16:9 landscape Strictly three consecutive clear shots Native synchronized Mandarin dialogue Precise lip-sync Precise eye-line relationships Character identity stable throughout Hairstyle stable throughout Costume stable throughout Both original longswords stable throughout Ceremonial silver sword stable throughout Supporting roles positions stable throughout Geographic space stable throughout Character action quantity strictly restrained Three actions must be clearly readable: Blade deflect Turn head Step forward Micro-expressions must be real restrained Silk fabric, metal swords, hair physics natural Foreground/mid/background maintain real parallax and synced spatial ambient sound No subtitles generated Seedance 2.0 Mini Execution Focus For Seedance 2.0 Mini, emphasize: Character reference consistency Multi-character visual hierarchy Few precise action nodes Stable camera continuity Light/shadow continuity Core prop continuity Precise audio-visual sync for dialogue, metal clinks, footsteps, fabric rustle, ambient sound Negative blurry, bad quality, low quality, low resolution, noisy, jpeg artifacts, watermark, text, error; deformed, mutated, bad anatomy, poorly drawn hands, bad composition, out of frame, disfigured; inconsistent character, changing clothes, face morphing, background shift, glitching cuts, disappearing props

Ultra-realistic cinematic action scene inside a high-school basketball gym, a fierce young woman in a stylish school-uniform-inspired outfit unleashes powerful glowing red and purple supernatural energy from her hands, intense confrontation with another girl, dramatic energy trails and particles, dynamic movement, wooden basketball court, bleachers in the background, cinematic lighting, realistic facial details, dramatic atmosphere, motion blur, volumetric light, shallow depth of field, high contrast, photorealistic VFX, 8K detail, vertical 9:16 composition, epic supernatural action movie aesthetic.

Eric Cartman punches the alien off the chair, Eric cartman hops in, Eric Cartman turns the spaceship upside down and shakes it (kyle butters and co reaction) (Censored language)

A beautiful Korean girl with long dark hair, wearing a fitted black sleeveless top, black athletic shorts, and white sneakers, is playing basketball on an outdoor orange-colored basketball court surrounded by lush green trees. A cute oversized white cartoon-style dog mascot with black floppy ears is standing opposite her, holding and bouncing a basketball. The scene begins with a wide cinematic shot showing the girl facing the giant dog character near the basketball hoop. She playfully interacts with the mascot while dribbling the basketball, creating a fun and charming atmosphere. The camera smoothly moves between wide shots and medium close-ups, capturing the girl's natural expressions, flowing hair, realistic body movement, and the mascot's cute reactions. At the middle of the video, the girl steps closer to the camera while holding the basketball, looking confident and slightly playful. The giant dog character remains visible in the background, reacting humorously to her movements. Toward the end, she moves back toward the basketball hoop and prepares for another playful basketball moment while the mascot is seen in the foreground. Photorealistic Korean girl, natural skin texture, realistic facial features, consistent identity, detailed hair strands, realistic athletic movement, cinematic outdoor lighting, soft overcast daylight, shallow depth of field, smooth handheld camera movement, realistic basketball court textures, natural shadows, high-detail 4K cinematic quality, playful K-drama-inspired visual style, no face distortion, no extra fingers, no unnatural body movement, no text or watermark.

Transform the stadium tifo display into massive intricate green and white heart shapes formed by the crowds of fans holding green and white cards or lights across the stands. Keep the overall night aerial view of the packed football stadium, the pitc...

Create a 15-second high-fashion football shoe advertisement using the uploaded reference images for the gold metallic football cleats, white knee-high socks, and vintage feminine football styling. Keep the footwear design, colors, textures, and proportions consistent throughout the entire video. Environment: An enormous open outdoor football field, covered in lush natural green grass, with a completely open horizon and a beautiful dreamy pastel blue-and-pink sky. The field should feel spacious and untouched. No stadium, no spectators, no buildings, no bleachers, no indoor environment, no close fences. 0–3 sec: Wide cinematic shot of a young adult female footballer standing alone in the middle of the vast open field. She wears the same elegant vintage-inspired outfit from the reference images with white knee-high socks and the gold metallic football cleats. She gently places one foot on a football. Camera slowly moves toward her while sunlight reflects beautifully off the cleats. 3–6 sec: Cut to dramatic close-up shots of the gold cleats. Her foot steps firmly onto the grass, the studs press naturally into the turf, and she tightens the laces. Macro camera movement reveals the metallic texture, stitching, sole, and studs. Make the shoes the visual hero. 6–10 sec: She starts playing football across the completely open field, dribbling the ball quickly and confidently. Use a low-angle tracking camera focused on her feet and cleats as she changes direction, accelerates, and controls the ball. Her flowing outfit moves naturally with her movement. 10–13 sec: She takes a powerful run-up and strikes the football with the gold cleat. Capture the kick in cinematic slow motion, showing the shoe making contact with the ball, grass particles flying naturally, and the ball launching across the open field. 13–15 sec: Premium hero shot. The football rolls to a stop beside her gold cleats. She stands confidently in the background on the vast green field as warm sunlight catches the metallic shoes. Camera slowly pushes toward the cleats and ends on a sharp product-focused close-up. Visual style: luxury sports fashion campaign, dreamy editorial photography, cinematic natural lighting, realistic football movement, realistic grass physics, elegant feminine styling, dynamic camera movement, macro shoe details, shallow depth of field, premium commercial quality, photorealistic, subtle film texture. Important: Keep the gold football cleats identical throughout the video. No changing shoe design, no distorted feet, no extra limbs, no warped football, no artificial CGI appearance. The entire video takes place outdoors on one vast open football field.

15-second, 16:9 luxury perfume commercial. Photorealistic cinematic fashion film, minimalist luxury, rich emerald environment, high-contrast lighting with elegant soft golden accents, glossy reflections and premium macro product cinematography. Use Image 2 ONLY as the model reference. Use Image 1 ONLY as the Wizstar perfume bottle reference. Keep the model’s identity, face, hair, body proportions and emerald silk dress consistent. Keep the perfume bottle design, shape, label, cap and materials identical throughout. 0–3s — HERO OPEN: Start immediately with the woman clearly visible, centered in a confident fashion pose, wearing an emerald silk dress and holding the Wizstar bottle near her chest. Her face, dress and bottle must be clearly visible from the first frame. Rich emerald background with soft golden highlights. Bright, premium and elegant. No dark shadows, gray background, empty frame or fade-in. 3–6s — SPRAY: Smoothly move into a cinematic close-up. She raises the Wizstar bottle and sprays once toward her neck. Fine perfume mist catches the golden light. She lowers the bottle and gently touches her collarbone. Elegant, controlled movement with realistic reflections and mist. 6–9s — FASHION MOVEMENT: Cut to a wider shot. She slowly turns and walks forward while the camera tracks backward. Her emerald silk dress and hair move naturally. Emerald atmosphere expands around her with subtle mist and flowing golden light streaks. 9–12s — PRODUCT HERO: Transition into a premium macro shot of the Wizstar bottle floating in the emerald environment. The bottle slowly tilts and catches golden highlights. Show realistic glass, liquid reflections, subtle vapor trails and refined amber particles. Keep bottle geometry perfectly stable. 12–13.5s — FINAL MODEL: Cut back to a tight fashion shot. She gently turns her head toward camera with a confident, elegant expression. Hair and silk fabric move softly in the air. Golden rim light outlines her silhouette. 13.5–15s — FINAL PACKSHOT: Cut to a clean luxury packshot. Wizstar bottle centered against a deep black background with an emerald glow and refined golden rim light. Display the words: “ELEGANCE, DISTILLED.” A refined female voice clearly says: “Elegance, distilled.” STYLE: Ultra-premium fragrance advertising, cinematic 35mm look, realistic skin and fabric texture, controlled camera movement, shallow depth of field, precise focus transitions, glossy l

Generate a 6-second, 9:16 vertical, 4K ultra-realistic live-action ancient-style portrait video. The main subject is a clearly adult East Asian female wearing gorgeous, clear, light Tang Dynasty style ancient costume, standing in front of night flower trees. The character has a natural soft oval face, small smooth jawline, exquisite features but maintaining realistic proportions, no influencer template face, no Western bone structure. Black dense long hair is styled into a high complex Tang-style bun, full and layered, adorned on top and sides with: Light pink floral hairpins Light blue floral ornaments Emerald green leaves Bead strings Pearl tassels Metal hairpins Long dangling earrings Both sides retain long straight black hair naturally falling to the chest. There are some soft stray hairs on the forehead. Exquisite but clear makeup: Peach pink eyeshadow Natural black eyeliner Distinct eyelashes Natural native eyebrows Light pink blush Moist coral pink lips Slight Huadian feel makeup Skin remains fair, clear, and soft, but not plastic-like, retaining slight pores, fine skin texture changes, and natural facial asymmetry. ⸻ Costume The character wears a very gorgeous light cyan-blue + mint green + pale pink + ivory white multi-layered Tang Dynasty style dress. The outer layer is semi-transparent thin gauze shawl and wide sleeves. Sleeves are wide and flowing. Cuffs, collars, and lapels have delicate: Floral embroidery Gold thread trim Light pink-blue plant patterns The chest area features a Tang-style high-waisted Ruqun structure. Large area of exquisite floral embroidery on the chest position. Waist uses a blue-green sash. The skirt body has obvious silk and gauze layering. Materials must show: Real silk reflection Light gauze semi-transparency Embroidery thread details Natural drape of sleeves Do not make it look like cheap photo studio Hanfu. ⸻ Scene Background is blooming flower trees in a night or dark environment. Many pale white, light pink, and light purple flowers distributed behind the character. Overall background is dark. Flowers form light-colored accents under soft lighting. Clear hierarchy between character and background. No Xianxia special effects. No massive particles. No moon. No palace large scenes. Focus is: Character close-up + dark flower tree background. ⸻ 0–1s | Frontal Gaze Opening character faces the camera directly. Body slightly sideways, but face almost directly facing the camera. Eyes looking directly at the lens. Mouth corners have a very slight, soft smile. Right hand naturally placed near the chest. Left hand hidden under wide sleeves or below the body. Entire person remains quiet and elegant. Camera uses medium close-up above chest. ⸻ 1–2s | Hand to Chin Character slowly raises one hand from chest. Wrist remains softly curved. Fingers naturally extended. Not stiff. Back of hand slightly towards camera. Hand moves slowly from chest past neck area to under chin. Forms classical lady-like elegant chin-resting action. Character's eyes still look at the lens. Smile slightly intensifies. ⸻ 2–3.2s | Hand Continues to Hair Bun Hand does not stay at chin too long. Continues slowly moving upwards along side of face. Passing through: Cheek Temple Ear side Finally raised near top hair bun. Index, middle, and ring fingers gently approach hair accessories. Movement is soft and restrained. Do not grab hair forcefully. More like lightly supporting hairpin or adjusting bun. Wide sleeves naturally hang down as arm rises. Thin gauze cuffs form beautiful layers. ⸻ 3.2–4.5s | Supporting Hair + Slight Turn Character keeps one hand lightly supporting hair bun. Simultaneously body and head begin small amplitude turning. Approximately: 5–10 degrees. Face changes from fully frontal to slight 3/4 angle. Eyes still looking at lens. Mouth corners maintain soft smile. Other hand naturally placed in front of body. Sleeves and shawl appear slight swaying. Pearl tassels on hairpin also produce very small natural swinging. ⸻ 4.5–6s | Side Face Smile Ending Character keeps hand near hair bun. Head tilts slightly more. Forms beautiful light 3/4 portrait angle. Eyes still looking at lens. Expression slightly softer than opening. Smile natural. No big toothy laugh. Wide sleeves maintain natural drape. Earrings, beads, and hair accessories sway slightly. Hold for about 0.5 seconds at end. ⸻ Camera and Movement Use: 70–85mm equivalent portrait lens Close-up above chest. Camera height slightly lower or level with character's eyes. Character always centered in frame. Video basically maintains fixed camera position. Only allow: very subtle push-in Approximately 3%-5% weak advancement. Also exists slight: cinematic breathing movement No panning. No fast zooms. No orbiting. No large lateral moves. ⸻ Lighting Adopt soft classical studio shoot + night flower tree background. Character face uses soft frontal-side light. Face overall very bright. Soft highlights on nose bridge, cheekbones, and lips. Hair edges can have slight rim light. Background remains dark. Flowers slightly lit up. Forming: Bright character + Dark background + Light colored flowers High-end contrast. Overall color suggestion: Light cyan-blue Mint green Pale pink Pearl white Deep black background

Forrest of oak trees leaves of silver edged in black meadow of green grass flowers tulip and iris colored petals dancing like tiny flames butterflies with silver filigree wings make the petals dance like a flame

Cinematic photorealistic drone shot of Mount Fuji at sunrise, Lake Kawaguchi reflecting the mountain, cherry blossom branches in the foreground, soft morning mist, slow forward dolly, 4K film look

Cinematic photorealistic texture, pure ancient Chinese Xianxia high-tension dual combat. This time completely break out of previous modes: Constant weapon changes Single combat breaking The core becomes: The two protagonists themselves are a continuously moving dual tactical system. One absorbs pressure from the front The other changes the situation from the flank Immediately swap roles in the next second The real thrill is not flashy sword qi, but that the two protagonists almost don't need to turn back to confirm, can constantly cover each other's blind spots, forming stronger and stronger tacit understanding and tension. Character and Asset Locking Strictly lock only @image 1 and @image 2 as the two core characters. @image 1 | Sword Immortal Senior Sister Image 1 Sword Immortal Senior Sister always maintains original: Adult East Asian female identity Face Black long hair half-up White jade hairpin Tall slender proportion White embroidered silk Hanfu Semi-transparent layered wide sleeves Silver waist seal Jade pendant White cloth boots Only one silver straight sword @image 2 | Junior Sister Image 2 Junior Sister always maintains original: Adult East Asian female identity Face Braided black hair Green linen Hanfu Dark belt Wooden hairpin Black cloth shoes Only one dark steel sword Other Characters Enemies, Master, Passersby are all functional characters only, no need for complex face locking, clothing locking. Environment DNA All uploaded background and location reference images this round jointly determine the same set of Environment DNA. Before formal generation, silently analyze compatible elements among them: Terrain Architecture Height differences Spatial scale Material age Vegetation Water bodies Weather Mountain mist Lighting Reflections Air depth Routes passable by characters Then recombine into a unique but credible new space for this round. Space and Route Principles The entire 15 seconds must occur in a continuous understandable combat route, cannot suddenly switch to another world. Background remains dynamically active but narratively neutral: Wind Water Mist Leaves Clothing hems Reflections Distant figures Always naturally active. Only when characters truly: Step Collide Grazing Weapons touching environment Do these appear: Dust Ripples Debris Scratches Clothing displacement etc. passive physical feedback. Strictly Prohibited Bridge suddenly breaking Mist suddenly saving people Tree suddenly blocking sword Building collapsing itself to help either side Segmented Structure 0–5s | Wide shot entering medium shot Same white-robed Sword Immortal Senior Sister and same green-robed Junior Sister standing back-to-back. Three enemy swordsmen who only bear combat function press in actively from different directions. 0–1s Use 24mm fixed wide panorama, letting audience understand at once: Positions of five people Attack directions Space available for movement next Junior Sister lowers voice, says only one line: "This time, don't turn back to save me." Senior Sister never turns back throughout, calmly answers: "Good." As soon as the last word lands, enemies launch simultaneously without warning. Camera quickly moves from fixed 24mm into 35mm medium-close range motion, but doesn't shake randomly, instead brought in by the characters' true movement lines. First Round Engagement One enemy attacks Senior Sister from above Another enemy cuts into Junior Sister's blind side simultaneously The two women explode in opposite directions almost instantly: Senior Sister briefly changes attack line of first sword then directly advances position Junior Sister lowers center of gravity grazing second attack, only counter-attacks enemy's weapon path, doesn't stop to pose Two immediately start migrating forward along routes truly existing in reference environment. A high-speed foreground passing enemy body briefly fills lens, using this real occlusion to complete first hidden cut, audience barely feels camera position has changed. 5–10s | Medium shot continuous follow Maintain: Same space Same two protagonists Same weapon ownership Enemies absolutely cannot queue up to send moves, they continuously: Chase Surround Intercept At this time: Senior Sister bears continuous pressure from two enemies Junior Sister faces another enemy Cannot split screen into "two fighting separately", must let two combat lines constantly interweave. First Tactical Complement Senior Sister deliberately yields half step, bringing one pursuing enemy into Junior Sister's advancing attack line. Junior Sister doesn't look at Senior Sister at all, only at the instant enemy's sword tip truly enters her space, briefly catches and changes weapon direction with dark steel sword, immediately releases, continues handling person in front. Second Tactical Complement Less than a second later, exact opposite happens again. Another enemy launches true attack from behind Junior Sister. Same white-robed Sword Immortal doesn't even turn back, silver sword tip enters from other side of frame at high speed, uses only one extremely short metal impact to push that sword out of dangerous line behind Junior Sister, then silver sword immediately leaves frame, Senior Sister continues own fight. Core State Two people never confirm each other's positions, yet accurately know where the other is. Camera glides smoothly between foreground and midground, utilizing following elements sweeping past lens at high speed to form 2-3 extremely natural hidden transitions: Enemy shoulders White wide sleeves Green clothing hem Weapons Rhythm Requirements Action rhythm isn't one speed from start to finish, but: Two fast exchanges One truly weighted weapon collision Half-beat silence Then sudden explosion Same older Master stays in distant safe zone observing, doesn't act from start to finish, doesn't solve problems for anyone. 10–15s | Close shot entering final wider medium shot Three enemies discover single pursuit ineffective, first time truly change strategy simultaneously, compressing space from three directions, forcing Senior Sister and Junior Sister toward same central area. Form obvious deadlock. Two don't continue retreating. Same white-robed Sword Immortal and same green-robed Junior Sister suddenly burst sprint towards each other simultaneously. Camera doesn't cut immediately, lets audience fully see: Two shoulder lines graze in high speed, bodies cross through each other with minimal distance. At moment of crossing, two fully swap front-back positions. And neither looks at the other. Tactical Flip After Swap Senior Sister while passing Junior Sister, directly takes over enemy originally attacking Junior Sister's blind side Junior Sister simultaneously cuts into line of enemy originally chasing Senior Sister One enemy longsword sweeps across entire camera at high speed, forming only one obvious weapon occlusion hard cut. Cut to brand new reverse axis: Senior Sister now stands at position Junior Sister just left Junior Sister also stands at position Senior Sister just left Both immediately complete two extremely short, extremely direct, no showy rotation reverse breaks: Silver sword tip safely stops one finger-width before an enemy's chin Dark steel sword simultaneously safely stops outside another enemy's sword-wielding wrist Third enemy prepares to strike again, but finds both effective attack lines completely blocked by companion's position, can only force retreat. Sudden Stop Moment Previously dense: Whooshing sounds Metal collisions Shoe sole skid sounds Collapse suddenly at this moment. Leaving only: Two women's true breathing Extremely light residual vibration of swords Silk clothing hems gradually falling Senior Sister still looking at enemy in front, asks without turning head: "Still alive?" Junior Sister pauses almost none: "Easier than you." Senior Sister's mouth corner shows only extremely brief, extremely light hint of smile. Distant same Master finally lightly exhales breath held throughout, but doesn't preach, doesn't explain relationship between two. Ending State After victory confirmed, absolutely no victory poses. Two women lower sword tips simultaneously, maintain original pace continuing forward through same space; three enemies instinctively yield road. Hair, clothing hems, environmental wind, water mist, debris continue natural movement, picture ends directly while characters still moving forward. Camera and Editing Requirements Strict total duration 15 seconds 16:9 landscape Maintain 0–5s / 5–10s / 10–15s three clear narrative segments Visually dominated by one continuous silky camera path Whole film allows only about 4-5 hidden cuts or cuts truly triggered by impacts Prohibit crazy fragmented cutting for "action feel" Seedance 2.0 Mini Execution Focus For Seedance 2.0 Mini, actively control prompt budget. Most important is: Image 1, Image 2 two protagonist identities stable Two swords' ownership stable Hands and bodies continuous Two people's spatial relationship continuous Core environment route continuous Three enemies only need to maintain: Ancient style enemy swordsmen Basic functional appearance That's enough, don't waste model attention strictly locking faces, clothes and details. Sound and Motion Requirements Native synchronized Mandarin dialogue Native synchronized spatial audio effects Focus strengthening: Sword tip brief whoosh Real metal collisions Shoe sole friction Silk clothing hem twitching Characters' true breathing Final sudden quiet sound contrast Motion Texture 24fps cinematic motion texture Natural motion blur Actions must have clear: Start Acceleration Force application Line change Inertia Braking Strictly Prohibited Teleportation

Take this painting to the next level of ascention. Include magenta and way more aqua green....

A girl skating at high speed through a crowded urban street, dodging people, jumping over small obstacles, passing cars and bikes, fast cuts, motion blur, handheld camera feel, energetic vibe, realistic environment, high detail.

A tight blue-and-white striped Lacoste polo shirt laid flat as a luxury fashion still life on white sheets, sharp product photo. Use the exact style, fabric texture, collar, buttons, and green crocodile embroidery logo from space ai x

The beautiful young man stretches his arms and body to arrange the planets, breathing. His friends notice his perfect navel appearing discreetly under the lower edge of his sweater "we can see your little navel". Plan in zoom on his nav...

Create a cinematic 14.6-second action scene featuring a powerful anthropomorphic orange tiger warrior in a destroyed city surrounded by smoke, fire, and collapsing buildings. The tiger aggressively faces an opponent in the opening shot, then suddenly leaps high into the air with dynamic martial-arts movement as the camera follows the jump dramatically. Cut to an intense close-up of the tiger’s realistic face, focusing on sharp eyes, detailed orange fur, whiskers, and a fierce expression. Show the tiger continuing the fight against a human-like opponent with fast punches and kicks, maintaining consistent character appearance and anatomy. A powerful blue energy impact appears during the attack, followed by a huge fiery explosion in the ruined city. Show flames, flying debris, thick smoke, sparks, and realistic destruction spreading across the environment. The tiger lands confidently in the foreground while the burning ruins glow behind it, creating a dramatic heroic silhouette. Use smooth cinematic camera movement, realistic physics, dramatic lighting, detailed textures, strong action choreography, and high-quality 3D animation throughout, with no text, watermark, or character distortion.

Cinematic realistic texture, 16:9 horizontal screen, 15-second modern Chinese urban relationship drama, native synchronized Mandarin dialogue, no subtitles. The core is not to accuse a male character, but to make the junior sister realize on her own: the person who repeatedly cleans up your messes is not naturally equal to security; if many of those messes are also related to this relationship, then "being cared for" may slowly be turning into "only being able to rely on him." Overall adopt an Arri Alexa cinema camera texture, credible modern residential corridor, mixed lighting from real ceiling lights and elevator area, natural skin tones, stable sharp facial micro-details, slight film grain, shallow depth of field. Emotions are sharp but restrained, no slogans, no short-drama-style hysteria, no arrangement for any character to suddenly turn dark. Strictly three consecutive shots, each about 5 seconds. For Seedance 2.0 Mini, all complexity is concentrated on the gazes, pauses, simple movements of the three people, and one suitcase, one cracked-screen phone; do not design complex physical conflicts. Character identities strictly locked. Character ID A: Always the same adult East Asian female as in @Image1, 27–32 years old, tall and slender. Strictly preserve the facial features, face shape, eyes, nose, lips, skin tone, and overall temperament from the reference image. Modern styling: ivory white shirt, dark gray trousers, black leather shoes, silver wristwatch. She is a senior sister type character, calm, judgmental, but does not make decisions for others. Character ID B: Always the same adult East Asian female as in @Image2, 22–26 years old, smaller build. Strictly preserve the facial features, face shape, hairstyle, and character temperament from the reference image. Modern styling: cyan-green knit top, loose dark trousers, white sneakers. She always has the same suitcase beside her and holds the same cracked-screen phone in her hand. Boyfriend: Around 27–28 years old, wearing a clean dark coat. Appearance and behavior must be real and ordinary, not greasy, not stereotypically fierce. He truly believes he has been protecting her, so his reactions come from misunderstanding and defense, rather than pure malice. 00:00—00:05 First shot, 35mm wide to medium shot, clearly establishing the spatial relationship of the residential corridor at once. The junior sister stands next to the suitcase, holding the cracked-screen phone. The boyfriend stands between her and the senior sister, with clear distance among the three. The boyfriend suppresses emotions, voice not high: "Which time when something happened, wasn't it me accompanying you?" The junior sister almost instinctively replies: "He's right." The senior sister does not look at the boyfriend, only looks at the junior sister: "I know." Pause extremely briefly. "But why do things always happen to you?" After this sentence, maintain half a second of silence. The junior sister freezes for the first time. Do not shockingly widen eyes, just stop the gaze, the words originally prepared to continue explaining for the boyfriend are not spoken out. 00:05—00:10 Second shot, 50mm medium close-up, the three people still maintain exactly the same spatial relationship, props cannot drift. The boyfriend immediately turns to the senior sister: "Don't stir things up." The senior sister still does not argue with him, only calmly looks at the junior sister and says: "Work, landlord, friends." Slight pauses between each word. Then adds one sentence: "Every time, he was there." The boyfriend immediately follows up: "Because I am helping her." The senior sister looks at him, tone without aggression: "Maybe." Pause briefly. "But why are you the only one left in the end?" After this sentence falls, do not add any explanation. Do not match with exaggerated musical accents. Only leave the slight ambient sound of the residential corridor and one distant elevator chime. The junior sister slowly lowers her head to look at the cracked-screen phone in her hand. This is the first time she connects the previous events herself. 00:10—00:15 Third shot, 85mm close-up gradually focusing on the junior sister. She slowly raises her eyes to look at the boyfriend, no crying, no anger, nor confirming with the senior sister. She asks herself: "Are you helping me..." Pause about 0.3 seconds. "Or making me only able to find you?" Complete silence. The boyfriend obviously wants to answer, lips slightly move, but cannot organize words. The senior sister never shows victory, satisfaction, or "I knew it all along" expressions, and absolutely must not reach out to lead the junior sister away. The junior sister bends down to pull up the suitcase herself. The boyfriend subconsciously asks: "Where are you going?" She glances at him, answers calmly: "Just be alone for a while." Then drags the suitcase, walking alone past the two people. The senior sister only steps aside, truly clearing the passage. Finally, do not chase-shoot the senior sister, do not linger on the boyfriend's face. The camera stops on the back view of the junior sister dragging the suitcase towards the end of the corridor, wheel sounds fade away, elevator light turns on, end. Whole film performance principles: No winner, no villain verdict, no emotional explosion. The senior sister only raises one question; the boyfriend still believes he is caring for her; the person who truly completes the judgment must be the junior sister herself. Dialogue must sound like what real adults would say during arguments, short sentences, colloquial, avoiding literary lines, golden quote style, psychological terminology, and short-drama shouting. While all characters speak, others must shut up and have real listening reactions. Mandarin lip-sync accurate, gaze targets clear. Three-shot structure strictly maintained: 0—5s: Establish "He always saves her" 5—10s: First realization "Why is he always there" 10—15s: She poses the question herself and leaves alone Sound design: Residential air conditioner low frequency, elevator chime, fabric rustle, cracked phone grip sound, suitcase wheel sounds realistically synchronized. Background music extremely weak or even absent, letting the final wheel sound become the emotional convergence. Character faces, hairstyles, clothing, cracked-screen phone, suitcase, corridor door positions, elevator direction, and the three-person spatial positions must remain continuously stable. Prohibit character identity drift, prop disappearance, random position swaps, multi-person gaze errors, and the boyfriend suddenly becoming aggressive. Negative: blurry, bad quality, low quality, low resolution, noisy, jpeg artifacts, watermark, text, subtitles, malformed hands, extra fingers, inconsistent character, face morphing, identity drift, changing clothes, disappearing suitcase, changing phone, repaired phone screen, background shift, unstable hallway, teleportation, random character position, incorrect eyeline, overlapping dialogue, inaccurate lip sync, exaggerated crying, screaming, aggressive male stereotype, villain expression, smug senior woman, triumph expression, melodramatic acting, soap opera acting, theatrical pause, motivational speech, therapy jargon, excessive music cue, glitch cut, random camera movement.

fierce reds and oranges come from vast clouds of ionized hydrogen, set alight by the ultraviolet blast from a young, scorching cluster of massive stars (IC 1590) sitting at the heart of the nebula. Cooler blue-cyan hues trace ionized oxygen, painting the interior like a ghostly lantern. Dark Bok globules — dense knots of dust and gas.

◄ Genesis 12:3 ► Bible ✡️✝️ I will bless those who bless you, and whoever curses you I will curse; and all peoples on earth will be blessed through you.